Watch anywhere on your favorite devices. Also great—and had he not been, the film would have been ruined—is Osment, whose unrelenting gravity and ability to convey sadness beyond his years threatens to give a good name to child actors. Meanwhile, his trucks are still being robbed, and his drivers, now illegally carrying firearms at the insistence of the union boss, are engaging in shootouts on crowded highways. [Rob Dean], Willis stars as a Philadelphia psychologist who, shortly after receiving an award for his work with children, is confronted in his home by a disturbed former patient (Donnie Wahlberg), who feels Willis failed him. December 17, 2020 targetpip ‘Tis the season for free content. It’s the perfect thing to play this time of year. Subscribe. He’s got a job interview at the competing Sentinel (a broadly drawn Times spoof); his wife Marty (Marisa Tomei) is about to give birth; his boss Bernie (Robert Duvall) has cancer; the Sun’s managing editor Alicia (Glenn Close) pinches pennies; and, throughout all of this, a breaking story about a couple of teenagers arrested for a grisly murder isn’t sitting right with him. Subscribers will also have access to the network’s premium collection of hit films, with January highlighting the best of biopics including Ali, Apollo 13, Coach Carter, Dallas Buyers Club, Green Book, The Iron Lady, My Week With Marilyn, On the Basis of Sex and more.. You can view the Showtime January 2021 originals, followed by the full schedule and streaming collections, below. While Showtime is a name long synonymous with movies, their streaming service sort of sits in the background behind all the other big names. Initially she decides against joining them but does so at the prospect of pursuing a crush. Showtime is a popular media streaming platform. It’s certainly his funniest and most aesthetically accomplished film, from a long-take chicken-shack robbery seen from the getaway car’s point of view to fragmented editing as graceful as any in To The Wonder. An adaptation of Nikos Kazantzakis’ sprawling novel, the film deals explicitly with the sacred paradox of the figure of Jesus: What does it mean to be both fully human and fully divine? Top Gun could just as easily be a film about selling vacuum cleaners. However, this enormous library can also leave you confused about what to watch, so we have got you covered. see more. 1 record playing its own instruments and writing its own songs. Movie Club is separate and apart from Movie Fan and is subject to additional Terms and Conditions, as set forth in Section 5 below. Certainly, George Lucas had good intentions when he tried to redo his own greatest hits, but as Spaceballs teaches us, good is often very, very dumb. It’s a deeply satisfying movie. AT&T Deals and Promotions . The breakaway to this problem is Showtime which offers you a wide range of movies to watch. But the film’s supposed nihilism isn’t as striking as its warm, empathetic depiction of a community wracked with poverty, aimlessness, and misdirected anger, yet still bursting with vitality and solidarity. [Scott Tobias], With apologies to Don Siegel and Abel Ferrara, the best adaptation of Jack Finney’s The Body Snatchers is still the 1978 version, which unleashes the allegorical bogeymen-from-above on an unsuspecting metropolis. Giger, or Ishirô Honda, the director who gave Japan an embodiment of its then-recent nuclear attacks with Godzilla. Universal Pictures . In Demme’s 2004 redo, the bad guys aren’t the communists, or even the Iraqis whom Major Marco (Denzel Washington) finds himself fighting in Kuwait on the eve of Desert Storm. Shop Now Have Showtime? And, in one of the most notorious scenes in American cinema, they make them pay for it. In the extensive library of Showtime, you can find popular content from various genres. The Best Showtime TV Shows to Binge-Watch Right Now. But where lesser Car Wash progeny only incorporate their predecessor’s most obvious elements, Barbershop replicates the intangible qualities that made it special: its sunny spirit, stellar supporting cast, and surprising sociological savvy. Surprisingly, she achieves moments of transcendent beauty with her geese long before any of them leave the ground. Showtime shows have a reputation for starting strong and the fizzling out. As one member of the band says in the movie’s intro, “People automatically assume that we were put together by some guy, but we did it all ourselves.” The story Ellwood puts together is both straightforward and familiar, traveling from the band’s scrappy beginnings to the pitfalls of fame that would inevitably become its undoing. The greatest obstacle to Cruise’s goal comes with the death of his friend and flying partner Anthony Edwards, but in the end, he accepts that Edwards was just the guy who rode in the back of the plane, and sometimes the second bananas die. Besides, Edwards called himself “Goose,” so what did he expect? Their plans to pay for it by working extra diner shifts are stymied by a drug deal gone wrong, gastrointestinal distress, and accidental pot-cookie ingestion—in other words, nothing too far removed from the likes of Dude, Where’s My Car? Rather, they’re the military-industrial-complex bigwigs who hunger for both profit and control of the Oval Office. Their understanding of politics is … Created by Matthew Carnahan. A large and universally excellent cast (Burt Reynolds, Julianne Moore, John C. Reilly, Don Cheadle, Heather Graham, William H. Macy) plays the extended family he joins. When both grieving and not grieving are unsettling, you can tell what kind of family (and movie) this will be. Charming, fast talking Marty Kaan and his crack team of management consultants use every dirty trick in the book to woo powerful CEOs and close huge deals in this scathing, irreverent satire of corporate America today. Where Project got a lot of mileage out of the archetypal campfire-story spookiness of the wilderness where its hapless filmmakers got lost, Paranormal Activity derives much of its power from juxtaposing supernatural otherworldliness with the mundanity of the apartment where its action takes place. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. A year later, he encounters a child (Haley Joel Osment) who reminds him of Wahlberg, a boy who eventually reveals he has some traffic with the supernatural. Once there, he faces with corruption at every turn, from a monopolistic producer who will only pay him $20 a song to a missionary church that peddles “The Word,” to a police force bought off by the criminal element. What Scorsese has done, presenting a version of the Christ story filled with the sort of direct dialogue and troubled relationships of his contemporary films, comes from an impulse akin to that behind the creation of medieval passion plays: This is God speaking and acting in a way recognizably our own, God made one of us. There had been schlocky B-movies about devil worshippers before, but Roman Polanski’s adaptation of Rosemary’s Baby was a big Hollywood studio prestige project, with high production values and a striking blend of nightmarish fantasy and naturalism. Expanding on the strong visual sense evinced in the otherwise mediocre The Mexican, director Gore Verbinski creates an air of dread that begins with the first scene and never lets up, subtly incorporating elements from the current wave of Japanese horror films along the way. Just as Dr. Elliott skillfully disguises his essential depravity underneath a veneer of intellectual respectability (and puts on a blond wig and a black trench coat when he’s on the prowl), Dressed To Kill is a giallo disguised as a metropolitan, mainstream thriller. Hackett isn’t the final decision-maker at the Sun, but Keaton commands attention because he talks the fastest—he has a way of making stammers and half-sentences sound like the product of a brain that can’t keep up with its meager human mouth. [Jesse Hassenger], Knowing the inside story of Terry Gilliam’s history of failed or flawed projects just makes The Imaginarium Of Doctor Parnassus all the more heartbreaking. It’s only after they get out that Jack becomes overwhelmed by how much more there is to life, while an exhausted Joy quickly checks out from being a mother to her son or even a daughter to her own folks, who take them in after they escape. An electrifying portrayal of a girl growing up in a poor Paris suburb. Genre: Music Biopic. Tremblay, meanwhile, sports the undue confidence of a pre-school kid who believes he’s learned and mastered everything he’ll ever need to know or do. It leaves terror, broken buildings, and clouds of dust behind. James novel, than a tour of a world gone terribly wrong, but the story comes tightly bound to its intricately realized setting, a fascist Britain that’s also apparently the last nightmarish refuge of civilization. There are many movies and TV shows available on this platform. Some Showtime shows currently airing tackle contemporary topics. And Showtime is also bringing the joy — here are the Christmas movies on Showtime that you can either catch on the cable channel or binge on the network's website. From thriller to action, romance to tragedy, a mystery to fantasy movies has a varied genre to watch from. Best Christmas Movies on Showtime ... Best Shows on Showtime Right Now. The moment is a transparent wink, a way for writer-director Gillian Robespierre to acknowledge the genre her debut feature is loosely, eccentrically occupying. We don't have any affiliation with Netflix or any other VOD providers. What it is, on the contrary, is a truly great rock record, and a fantastic movie—one that deserves to be pulled off the shelf of pop-cultural history, dusted off, and listened to again. Bonus: Sir Patrick Stewart plays the leader of the skinhead organization, and gives a subtle yet effectively sinister performance. But the “business” half of the title is just as important. The terms are unforgiving: Abel has 30 days to fork over $1.5 million (closer to $4 million today), or he forfeits a sizable cash advance and the property gets sold to one of his competitors. Of course, to attribute just one agenda to the film is to deny the whole spectrum of anxieties it probes; Kaufman taps into fears of biological contamination, government surveillance, urban alienation, and waking up one day to discover that the people you know and love are not who you thought they were. While he’s not far off the mark, the images have an unsettling quality that portends the troubles to come. At this point, explaining the film’s relationship to Psycho is as prosaic and academic a task as, well, the psychiatrist’s explanation at the end of Pyscho—a scene De Palma gleefully parodies twice over in his final act. When he was 25, major labels wooed his band, but he got spooked and has wrestled with the consequences of his actions ever since. [Mike D’Angelo], In spite of the technological twists, The Ring is at heart a classic ghost story, and it knows it. IMDb 8.0 – Drama. This is a great New York film, full of seedy scenery and populated by a stable of eccentric bit players. Danny Aiello and Spike Lee lead a large, excellent cast as an Italian-American pizza-store owner and his delivery boy, respectively. That diligence continues as the film progresses through Marley’s career, and though Marley’s son Ziggy and Island Records chief Chris Blackwell served as executive producers for the film, the subjects all give frank, open interviews that shine a light on one part of Marley’s life or another. The way that tension pays off is unfair to divulge—though DreamWorks’ trailers were notoriously free with a critical reveal—but suffice it to say that her unease has its roots in both the otherworldly and the entirely tangible. [Keith Phipps], Courage Under Fire opens with the kind of tasteful battlefield bombast often associated with director Edward Zwick, as Lieutenant Colonel Nathaniel Serling (Denzel Washington) commands a tank during the first Gulf War. Variety’s Awards Circuit is home to the official predictions for the upcoming Oscars from Film Awards Editor Clayton Davis. Curtis is friendly, sure, and he seems to be there primarily to socialize, to have a good time. Like Jeff Daniels in Baumbach’s The Squid And The Whale, Stiller is intent on rejecting a world he feels, not without reason, has rejected him. What happens next will be familiar to anyone who’s seen the original (or even the all-but-forgotten 1976 Dino De Laurentiis remake), but Jackson finds ways to make every moment feel new. [Keith Phipps], Essentially a haunted-house spin on Gaslight, this thriller plonks Michelle Pfeiffer in the middle of a creaky Vermont house, where she’s mostly left alone by her scientist husband, Harrison Ford. As a film about faith, it’s pure hooey, but it’s hooey with a provocative edge. This documentary on his life and his work will be even more interesting to you if like me you didn’t know who Pavarotti was, or the impact he’s had. At first, it takes some time to adjust to the film’s peculiar rhythms, which are conspicuously loose and slack by genre standards, as if Lee has agreed to take on a Hollywood thriller just to perversely extract the thrills. Their motives, tied to the well-being of a young immigrant (Claire-Hope Ashitey), will soon become clear, but only after the cost of failure has been made equally clear. In many ways, the 1982 comedy Tootsie is a product of its time, from its bustling Dave Grusin score to its “boy, those modern women sure have it tough” theme. In this list, we count down the best movies on Starz that you didn’t know were available there, or maybe didn’t know about at all. 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